
Introduction
Classical music holds enduring cultural value, and digital distribution has democratized access for independent musicians to reach global audiences. Getting your music online isn't as simple as uploading files, though—success requires proper metadata formatting, pristine audio quality, and distributors who understand classical music's unique requirements.
The challenge starts with metadata. Unlike pop music, where "Artist - Title" works, classical releases require complex structures: composer names, opus numbers, movement titles, key signatures, and detailed performer credits. Many mainstream distributors struggle with these requirements, causing releases to appear incorrectly or become unfindable.
Classical audiences also expect high-resolution audio (24-bit/96kHz or higher). This makes audio quality standards significantly higher than other genres.
This guide walks you through when distribution makes sense, what to prepare, the exact steps to follow, and critical formatting requirements that prevent common mistakes.
TLDR
- Choose distributors that properly format composer names, opus numbers, and movement structures
- Prioritize distributors supporting high-resolution formats and dynamic range preservation
- Target specialized platforms like Apple Music Classical and IDAGIO for engaged classical audiences
- Most classical musicians benefit from a hybrid approach: digital distribution for discoverability plus direct sales for higher margins on collector editions
How to Get Your Classical Album Online
Step 1: Choose a Distribution Service That Supports Classical Music Requirements
Classical music demands specialized metadata handling that mainstream distributors often bungle. Before choosing a service, verify it properly manages composer credits, opus numbers, and multi-movement work structures.
Key distributor capabilities to verify:
- Classical metadata support: TuneCore and LANDR offer standard composer and work fields, though neither provides dedicated classical formatting. DistroKid lacks specialized classical fields entirely, requiring workarounds
- High-resolution audio: Confirm support for 24-bit/96kHz or higher formats. TuneCore accepts up to 24-bit/192kHz [10], while CD Baby limits uploads to 16-bit/44.1kHz
- Platform reach: Verify distribution to classical-focused services (Apple Music Classical, IDAGIO) in addition to Spotify, Apple Music, and Amazon Music
- Additional features: Look for royalty splitting for ensembles, YouTube Content ID for concert footage, and music video distribution capabilities
Pricing models vary significantly and directly affect your long-term earnings:
- Subscription-based (DistroKid, TuneCore, LANDR): Pay annual fees ($19-24), keep 100% of royalties
- Commission-based (CD Baby): Pay per release ($8.30/single), but lose 9% of all future earnings
- Hybrid services (Madverse): Keep 95% of royalties while accessing Dolby Atmos distribution, sync licensing, and YouTube Content ID—combining high retention with specialized classical features
Calculate which model works better based on your release volume and expected streaming performance.

Step 2: Prepare Your Audio Files and Metadata According to Classical Standards
How you prepare your files determines both whether platforms approve your release and how professional it appears to listeners.
Audio file requirements:
- Export final masters as high-resolution WAV or FLAC files
- Minimum: 16-bit/44.1kHz
- Recommended: 24-bit/96kHz or higher for "Hi-Res Lossless" badging on Apple Music
- Ensure mastering preserves dynamic range (target -20 to -16 LUFS, not the -8 to -12 LUFS typical for pop)
Metadata formatting standards:
Create a detailed spreadsheet including:
- Composer names: Full names without abbreviations (Wolfgang Amadeus Mozart, not W.A. Mozart)
- Work titles: Include key signatures and opus/catalog numbers
- Track titles: Follow the format: "Piano Sonata No. 14 in C-sharp Minor, Op. 27 No. 2: I. Adagio sostenuto" [23]
- Performer credits: All musicians with specific roles (conductor, orchestra, soloists, chamber ensemble members)
- Recording details: Date and location
Visual assets:
- Album artwork: 3000x3000px minimum, RGB color mode, JPG or PNG format
- Professional photography reflecting classical aesthetics
- Text on cover must exactly match release metadata
Program notes:
Compile comprehensive liner notes including historical context, performer biographies, recording details, and publishing information for contemporary works.

Step 3: Upload Your Release and Configure Distribution Settings
Setup process:
- Create your account: Input your artist/ensemble name exactly as it should appear across all platforms
- Upload audio files: Maintain correct order with accurate track numbering—critical for multi-movement works
- Input metadata carefully: Double-check composer name spelling, opus number formatting, and movement title accuracy
- Set release date: Allow 4-6 weeks lead time for processing, platform uploads, and pre-release marketing
- Select platforms: At minimum include Spotify, Apple Music, Apple Music Classical, Amazon Music, and YouTube Music
- Configure royalty splits: Set up direct payments for collaborators (orchestra members, featured soloists, producers)
Platform-specific considerations:
Apple Music Classical demands strict adherence to "Work" and "Movement" tags. If you fail to group movements properly, your album appears as a disjointed track list rather than a cohesive work.
Step 4: Submit for Review, Monitor Approval Process, and Launch
Submission and approval:
- Submit your release—classical releases may take longer due to metadata complexity requiring manual verification
- Expect 1-2 weeks for classical content review as distributors manually verify complex metadata
- Monitor for rejection notices or correction requests
Common rejection reasons:
- Metadata mismatch between artwork and track data
- Listing deceased composers as "Primary Artist" instead of "Composer"
- Generic titles like "Track 1" instead of specific work titles
- Low-quality or upscaled artwork
Launch coordination:
Once approved, verify your release displays correctly on each platform:
- Artist name spelling
- Track order and grouping
- Metadata display (composer, work, movement)
- Audio quality
- Album artwork
Coordinate release day activities: update your website, send announcements to your mailing list, share on social media, and notify classical music media outlets.

When Should You Distribute Classical Music Online?
Timing your distribution strategy correctly can mean the difference between building momentum and wasting resources. Online distribution makes most sense when you want to reach beyond your local area, build a permanent catalog, or make your music discoverable to playlist curators and licensing opportunities.
Ideal use cases:
- Established artists building streaming presence
- Emerging musicians creating professional portfolios
- Ensembles documenting performances
- Composers promoting works for licensing and commissions
Consider alternatives when:
- Recording quality doesn't meet professional standards
- Proper rights or permissions for contemporary compositions are missing
- Your primary audience is collectors who prefer limited physical editions
Hybrid approach: Most classical musicians benefit from distributing digitally for discoverability while selling high-quality physical copies and downloads directly for better margins.
Streaming economics disadvantage classical music, as a 20-minute symphonic movement generates the same royalty as a 3-minute pop song.
What You Need Before Distributing Your Classical Album Online
Before submitting your classical album to streaming platforms, gather these essential materials. Proper preparation ensures smooth distribution and maximizes your music's discoverability.
High-Resolution Master Recordings
Finished audio files mastered specifically for classical music in WAV or FLAC format:
- Minimum: 16-bit/44.1kHz
- Recommended: 24-bit/96kHz or higher
- Mastering that preserves dynamic range and avoids over-compression
- True peak levels not exceeding -1.0 dBTP (decibels True Peak) to prevent clipping
Accurate metadata is crucial for classical music, where detailed composer and work information affects how listeners discover your recordings.
Complete and Accurate Metadata
Comprehensive information including:
- All composer names (full, no abbreviations)
- Complete work titles with keys and opus/catalogue numbers
- Movement titles and tempo markings
- All performer credits with specific roles
- Recording date and location
Understanding your rights ensures legal compliance and proper royalty distribution.
Rights and Permissions Documentation
For public domain compositions (generally pre-1929 in the US, though laws vary by country), document that the work itself is in the public domain. Your recording remains separately copyrighted even when the composition is public domain.
For contemporary works, secure:
- Publishing permissions from rights holders
- Mechanical licences for reproduction
- Clear royalty arrangements with living composers
Professional presentation materials help your album stand out on streaming platforms.
Professional Visual Assets and Program Notes
- High-resolution album artwork (3000x3000px minimum)
- Professional photography
- Comprehensive liner notes with historical context
- Performer biographies
- Recording session credits
Key Parameters That Affect Success When Distributing Classical Music Online
Metadata Accuracy and Formatting Consistency
Incorrect or inconsistent metadata makes your music unfindable in searches and prevents proper crediting. For classical releases, this is particularly damaging given the complex combinations of composer, work title, performer, and catalog numbers.
Impact on success:
- Properly formatted metadata ensures your release appears in searches for composer names, work titles, and performer names
- Enables platform algorithms to recommend your recordings
- Meets requirements for editorial playlist consideration
Best practices:
- Use full standard names consistently (Johann Sebastian Bach, not J.S. Bach on some tracks and Bach on others)
- Include catalog numbers (BWV, K., Op., RV) to distinguish works with identical titles
- Follow platform-specific formatting guides from Apple Music and Spotify

Audio Quality and Format Specifications
Classical listeners demand exceptional audio quality. 73% of classical releases now include high-resolution masters, which platforms reward with premium badging.
High-resolution formats separate serious classical recordings from amateur uploads.
Benefits of high-resolution audio:
- Attracts serious classical listeners and collectors
- Qualifies for premium playlists and editorial features
- Supports premium pricing for download sales
- Earns "Hi-Res Lossless" and "Apple Digital Master" badges
Platform Selection and Classical-Specific Services
Beyond audio quality, your choice of distribution platforms determines whether classical audiences can actually find your work. Mainstream streaming services struggle with complex classical metadata.
Specialized platforms solve this problem by designing interfaces specifically for classical music browsing.
Why specialized platforms matter:
- Apple Music Classical and IDAGIO properly display complex metadata (composer, opus numbers, movements)
- These platforms are where classical enthusiasts discover new recordings
- IDAGIO uses a pay-per-second model rather than per-play, benefiting longer classical works
- Specialized platforms feature browse-by-composer and browse-by-work interfaces
Common Mistakes When Distributing Classical Music Online
Classical music distribution requires precision that other genres don't demand. Avoid these common errors that fragment your catalog and frustrate listeners:
- Use standardized composer names — Listing "W.A. Mozart" on one track and "Wolfgang Amadeus Mozart" on another fragments your catalog and makes releases unfindable
- Include opus and catalog numbers — Classical audiences search using "Op. 27 No. 2" or "K. 331," not just composer names
- Preserve full dynamic range — Submit uncompressed audio files that maintain classical music's natural dynamics, not loudness-maximized pop mastering
- Credit all performers — List every ensemble member to maintain professional relationships and enable cross-promotion when musicians share your release
Frequently Asked Questions
Which distributors allow 100% royalties?
DistroKid (₹1,900/year), TuneCore (₹1,650+/year), and LANDR (₹2,000/year) let you keep 100% by charging annual fees. Madverse offers 95% royalties plus specialized services like Dolby Atmos distribution and sync licensing opportunities.
Which streaming platform is best for classical music?
Apple Music Classical and IDAGIO are purpose-built for classical music with superior metadata handling and composer-focused interfaces. IDAGIO uses a pay-per-second model benefiting longer works, while Spotify offers larger audiences with less specialized metadata.
How long does it take to get classical music distributed online?
Most distributors require 4-6 weeks lead time, though classical releases may take longer due to metadata complexity. Plan for 3-4 weeks minimum—metadata accuracy matters more than speed for classical content.
Do I need different ISRCs for each movement of a classical work?
Yes, each individual track (movement) requires its own unique ISRC code for proper tracking and royalty collection. Your distributor typically generates these automatically. If you're re-releasing previously distributed recordings, you must use the original ISRCs to maintain streaming counts and historical data.
Can I distribute classical music that's in the public domain?
Yes. While the compositions may be public domain, your specific recording is separately copyrighted and you own those rights. You can freely distribute recordings of public domain works (generally compositions published before 1929 in the US) but must have proper licenses for any contemporary compositions or arrangements.
Should I distribute to YouTube Music and enable Content ID?
Yes. YouTube Content ID monetizes unauthorized uses, protects your recordings, and generates revenue from concert footage. However, be cautious with standard repertoire—it can trigger false positives on other performances of the same public domain works.


